Mi scuso di nuovo con i miei lettori non anglofoni, ma per Barbados ho trovato esclusivamente libri in inglese. Buona lettura a chi legge l’inglese!
Austin Clarke, The Polished Hoe, HarperCollins: When Mary-Mathilda, one of the most respected women of the island of Bimshire (also known as Barbados) calls the police to confess to a crime, the result is a shattering all-night vigil that brings together elements of the island’s African past and the tragic legacy of colonialism in one epic sweep.
Set in the West Indies in the period following World War II, The Polished Hoe — an Essence bestseller and a Washington Post Book World Most Worthy Book of 2003 — unravels over the course of twenty-four hours but spans the collective experience of a society characterized by slavery.
Un estratto: http://www.harpercollins.com/9780060557621/the-polished-hoe/web-sampler
Austin Clarke, More, HarperCollins: At the news of her son BJ’s involvement in gang crime, Idora Morrison, a maid at the local university, collapses in her basement apartment. For four days and nights she retreats into a vortex of memory, pain, and disappointment that becomes a riveting exposé of her life as a Caribbean immigrant living abroad. Abandoned by her deadbeat husband, Bertram, and left alone to raise her son, Idora has done her best to survive against immense odds. But now that BJ has disappeared into a life of crime, she recoils from his loss and is unable to get out of bed, burdened by feelings of invisibility. Slowly, however, Idora summons the strength to investigate her son’s troubles—and her own weaknesses—as she finds her way back into the light with a courage that is both remarkable and unforgettable.
Un estratto: http://www.harpercollins.com/9780061772412/more/web-sampler
Agymah Kamau, Flickering Shadows, Coffeehouse Press: Deeply engrossing and beautifully written, this debut novel marks the stunning arrival of a major new talent. Set on a fictional Caribbean island, Flickering Shadows is the story of the colorful and compelling inhabitants of a small ex-colony, a village called the Hill. Cephus’ grandfather—arguably one of the most intriguing narrators to appear in fiction in some time—draws the reader into the lives and vivid dramas of the whole community. Cephus, Doreen, Boysie, Inez, young Kwame, the ghost, Dolphus, and an array of vibrantly depicted characters form a rich and hypnotic tale of love and betrayal, selflessness and honor, lust and dignity. Played out against a backdrop of political chicanery and religious corruption, this entrancing novel captivates from its first sentence to its breathtaking and unforgettable conclusion.
Agymah Kamau, Pictures of a Dying Man, Coffeehouse Press: When Gladstone Belle is found hanging from a beam in his own house, everyone in the village tries to understand who he really was, and why he killed himself. In this Caribbean Citizen Kane, the voices of Gladstone’s past accumulate, complementing and contradicting each other, to arrive at an understanding of Gladstone’s true identity and the circumstances that complicated his life. And his death.
Is a human life merely the sum of other people’s perceptions of it, a compilation of rumors and hearsay? What happens if those views are erroneous? Continuing in the vein of his critically acclaimed novel, Flickering Shadows, Agymah Kamau weaves a colorful story, full of deception, love, and loss, around a community’s remembrances of a Gladstone Belle. We discover the intricacies of living in a small Caribbean community by seeing things through the eyes of an array of vivid characters, including Isamina, his wife; Esther and Sonny-Boy, his mother and father; Carl, the suspicious husband of his former lover; PeeWee, the village gangster; Theophilus Bascombe, a disgruntled coworker; and Marie Antoinette LaSalle, the histrionic clairvoyant.
In a diverse community and political world riddled with rumors of murder and disappearance, Gladstone’s humble beginnings and honest manner win the community’s trust. He quickly moves up the political ladder. But his life is cut short when he decides that he can no longer look the other way. He realizes that everything around him has suffered from this corruption: his marriage, his friendships, and his dignity. The narrative of Gladstone Belle’s life and death illumines the complexity of class distinctions within a postcolonial community.